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CANADIAN BROADCAST STANDARDS COUNCIL
NATIONAL SPECIALTY SERVICES PANEL
TSN re an episode of WWE
(CBSC Decision 02/03-1656)
Decided May 11, 2004
R. Cohen (Chair), S. Crawford (Vice-Chair - Industry) H. Pawley (Vice-Chair - Public), R. Deverell, M. Hogarth, V. Morrissette and P. O'Neill
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THE
FACTS
On August 18, 2003, from 9:00 pm until just after 11:00
pm, the specialty service TSN broadcast an episode of
the WWE. At the beginning of the program, the broadcaster aired a visual-only
advisory that read as follows: "The following program contains material
that may offend some viewers. Discretion is advised." Although no Canadian
classification icons were displayed, the American ratings icon "TV 14 DLV"
did appear on the screen for 4 seconds at the start of the program and once
again at 21:55 for 6 seconds. The visual-only advisory was repeated
after each commercial break.
This
episode, like many others, is a combination of wrestling matches interrupted
by outside-the-ring and behind-the-scenes dramatic segments that, with the
wrestling sequences, are woven to some extent into a story line for the
whole episode. The episode started by naming, and showing pictures of,
the wrestlers who would be competing that evening. Two of them were then
shown with a model, Stacy, standing between them, following which the announcer
advised that the winner would get "Stacy's services for the night". A visual
announcement to this effect was also flashed on the screen.
Twelve
minutes into the episode, Stacy was interrupted in the locker room by "Test"
who used to be her previous "owner". He began sweet-talking her but then
changed his tone and advised her that, when he won, "I'm gonna treat you
like the little slut you are." At another moment, the announcer told the
television audience that Test had mentally and physically abused Stacy in
the past.
Then, almost 40
minutes later, Stacy was shown in the locker room with Test and two other
wrestlers, who were urging her to dance. She begged Test not to force her
to dance. He told her that she had to do it and helped her to stand up
on the bench and dance. He then said to his pals, "Welcome to my lap dance
party, boys" and informed his companions to keep their money because this
one was on him. When she started to dance, partly facing the wrestlers,
Test told her, "Turn your face around; nobody's looking at that anyway."
They all then started clapping to accompany her dancing.
During
another segment of the episode (which began in the second hour), the announcer
talked to Linda, one of the customary WWE team, who had been injured and
was staying at home. When her doorbell rang shortly after, Eric Bishoff,
another of the regular WWE team, dressed in a suit came into the room and
talked to her about his anger towards her son, an opponent wrestler. After
the commercial break in the midst of the segment, Eric began coming on to
Linda. As a part of his approach, he then twisted her arm, asked her to
show him where the bedroom was, called her "the big breasted beauty", said,
"You'll enjoy it so much more that way", and kissed her against her will.
The
segment that concerned the complainant in particular took place towards
the end of the show. In an incident presaged by a scene an hour and a half
earlier in the show, the later segment depicted a wrestler tied up and unconscious
while another angry wrestler poured gasoline on him and stuffed his mouth
with a cloth. When the "hostage" awoke, the angry rival lit a match, ostensibly
threatening to put him on fire. The threat did not materialize.
The
Complaint
On August 18, the complainant sent
the following complaint to the CBSC, in which he described those aspects
of the episode that had troubled him (the full text of all the correspondence
in this file is included in the Appendix):
I run
a Community home for 4 adult Downes syndrome [sic, Down Syndrome]
men and they are addicted to WWF. I find the portrayal of women on the
show to be demeaning to say the least and it appears to be getting worse
as illustrated on the show of 18th Aug. suggestion [sic]
of a striptease for hulking men in a locker room, but what really did upset
me was the depiction of a graphic scene as follows. One wrestler is handcuffed
by another angry wrestler and suspended from a contraption of some sort.
He is then verbally abused, has a rag shoved in his mouth and this other
creature then pores [sic] over him gasoline (at least that is what
it said on the gerry can). He then continues to be offensive and lights
a match with the obvious intent of immolating this wrestler but decides
then not to. I find this an extraordinary example of gratuitous violence
that should NOT be allowed on Canadian screens. Can this XXX rated depiction
of violent behaviour be stopped, if not why not?
The President of TSN responded
to the complainant's letter on August 28 in the following terms:
TSN
had no intention of insulting or offending our viewers. We regret that
the interactions between the two wrestlers during the WWE Raw program
that aired on TSN on August 18, 2003
upset you. It is important to note that our viewer feedback on wrestling
is quite varied. While some viewers - like yourself - think more editing
is required in our wrestling programs, there are those who feel there
is too much editing.
In order to strike
a balance between these opposing views and meet the network's commitment
to quality programming, TSN edits WWE programming by referencing Canadian
Broadcast Standards Council guidelines. We understand and agree that
violence and violent behaviour is an ongoing concern in the world and
therefore TSN strictly follows the Canadian Association of Broadcasters
Violence and Gender Portrayal Codes when it comes to WWE programming.
TSN
will continue to apply programming codes and standards to all our wrestling
broadcasts. To ensure the programs meet our requirements, the following
activities will continue to be undertaken:
-
Broadcast
the program during evening hours only (9
p.m.and midnight
ET)
-
Preview
all pre-taped programming for excessive material
-
Preview
all scripts for excessive material
- Edit unacceptable material
where possible (program is live at 9
p.m. ET)
-
. Meet regularly
with the WWE to communicate and discuss our programming codes
-
Screen
a disclaimer at the beginning of the episode and out of every commercial
break during the program advising viewer discretion
The complainant was unsatisfied
with this response, and requested, on August 28, that the CBSC refer the
matter to the appropriate Adjudicating Panel.
THE DECISION
The National Specialty Services Panel
considered the complaint under the following provisions of the Canadian
Association of Broadcasters' (CAB) Voluntary Code Regarding Violence
in Television Programming and CAB's Sex-Role Portrayal Code.
CAB Violence Code, Article 1 (Content)
1.1
Canadian broadcasters shall not air programming which:
!
contains gratuitous violence in any form*
! sanctions, promotes or glamorizes
violence
(*"Gratuitous" means material which does not play an
integral role in developing the plot, character or theme of the material
as a whole).
CAB Violence Code, Article 5 (Viewer Advisories)
5.1
To assist consumers in making their viewing choices, broadcasters shall
provide a viewer advisory, at the beginning of, and during the first hour
of programming telecast in late evening hours which contains scenes of violence
intended for adult audiences.
5.2
Broadcasters shall provide a viewer advisory at the beginning of, and during
programming telecast outside of late evening hours, which contains scenes
of violence not suitable for children.
CAB Violence Code, Article 10 (Violence in Sport Programming)
10.1
Broadcasters shall not promote or exploit violent action which is outside
the sanctioned activity of the sport in question.
CAB Violence Code, Article 7.0 (Violence
against Women):
7.1
Broadcasters shall not telecast programming which sanctions, promotes or
glamorizes any aspect of violence against women.
7.2
Broadcasters shall ensure that women are not depicted as victims of violence
unless the violence is integral to the story being told. Broadcasters shall
be particularly sensitive not to perpetuate the link between women in a
sexual context and women as victims of violence.
CAB Sex-Role Portrayal Code, Article 4 (Exploitation):
Television and radio
programming shall refrain from the exploitation of women, men and children.
Negative or degrading comments on the role and nature of women, men or
children in society shall be avoided. Modes of dress, camera focus on
areas of the body and similar modes of portrayal should not be degrading
to either sex. The sexualization of children through dress or behaviour
is not acceptable.
Guidance: "Sex-ploitation" through
dress is one area in which the sexes have traditionally differed, with
more women portrayed in scant clothing and alluring postures.
The National Panel Adjudicators
viewed a tape of the episode of WWE in question and reviewed all
of the correspondence. The Panel concludes that the WWE episode in question
has breached the provisions of the Violence Code relating to the
display of viewer advisories and classification icons.
The
Hybrid Nature of the Program
The Specialty Services Panel of
the CBSC has had several opportunities to consider professional wrestling
programs created by the WWE or its predecessor entities, the WWFE and the
WWF. Those decisions include TSN re WWF
Monday Night Raw (CBSC Decision 99/00-0398,
January
31, 2001), TSN re WWF Raw Is War
(CBSC Decision 99/00-0607, January 31, 2001) and TSN
re WWF Monday Night Raw (CBSC Decision
01/02-0660, September 13, 2002). On previous occasions,
the Panel has dealt with, among other things, the nature of the programming
as "sport". It has also been called upon to assess the undeniably non-sporting
nature of other elements of the broadcasts. There can not, after all, be
any doubt that the WWE programming intends to present its characters in both
in-the-ring and outside-the-ring soap-opera-ish plots.
In TSN re WWF Monday Night Raw
(CBSC Decision 01/02-0660, September 13, 2002),
this Panel cited helpful sections
of an explanatory letter from the wrestling entity's counsel in which the
latter provided information on the scripted nature of the programming.
He said, in part, that
the field of professional
wrestling in general, and WWF events in particular, have some unique attributes
that differentiate them from competitive sports. The key point is that,
to enhance its entertainment value, the event is planned and scripted
and the protagonists play the part of "characters", with scripted personalities,
costumes, choreography, movements, and a unique persona.
The evolution
of professional wrestling into a hybrid genre, best titled "sports entertainment",
has been much-noted in the press. For example, WWFE was featured in a cover
story in Newsweek on February
7, 2000, which added:
[WWFE] has crafted
a luridly compelling new delivery system: comic, winking, with daredevil
action, larger-than-life cleavage and soap-opera plots. For a jaded
audience raised on Quentin Tarantino and bored by political correctness,
[Vince McMahon] gave up the pretence that wrestling was real. In its
place, he framed the bouts with a "behind the scenes" saga about his
own family, full of sex and intrigue, and starring the McMahons themselves--a
second layer of unreality, creating ironic distance from the first.
You could take it straight, or with a twist. Here was something to
believe in: the candidly, honestly fake.
The
point to note here is that WWFE matches are carefully written as soap
operas, involving scripted characters performing wrestling, not as competitions
between real people.
In the matter at hand, there
is not a single one of the segments that relates to the sport of professional
wrestling. In other words, the challenged elements of the present episode
are drama and are subject to the criteria applicable to that genre. The
fact, though, that the programming is a hybrid genre, partaking of all of
sports, entertainment and dramatic natures, with undertones of violence
and sexist, and occasionally sexual elements, suggests that there may be
special requirements for its presentation on the airwaves. In the past,
these led to the undertaking on the part of TSN that they would
- Broadcast the program during
evening hours only (9 p.m. and midnight ET)
- Preview all pre-taped programming
for excessive material
- Preview all scripts for excessive
material
- Edit unacceptable material
where possible (program is live at 9 p.m. ET)
- Meet regularly with the WWE
to communicate and discuss our programming codes
- Screen a disclaimer at the
beginning of the episode and out of every commercial break during the
program advising viewer discretion
The review of these commitments
is a part of the CBSC's assessment of the current episode.
The Treatment of Women
The Panel finds no comfort in the
overall presentation or treatment of women in the wrestling program context.
The forced dance scene with Stacy and the aggressive treatment of Linda by
Eric Bishoff are examples of the offhand acceptance of women in a position
of diminished power relative to the dominators, who, at least, are presented
as mindless or gawking aggressors. Since, among other things, the two scenes
taper away into non-events from their initial plot-setting moments, there
is actually no dramatic conclusion to, or even development of, either scene,
and, accordingly, nothing that carries them to the level of breach of either
Article 4 of the Sex-Role Portrayal Code or Clause 7 of the Violence Code.
A Not So Fiery Scene
The complainant's main concern
relates to a segment of the broadcast in which the creators bring an out-of-the-ring
rivalry established earlier in the show to its dramatic conclusion. That concluding
scene depicted a wrestler tied up and unconscious while the other angry wrestler
covered him with what appeared to be gasoline and gagged him with a cloth.
When the "hostage" wrestler awakened, the angry rival lit a match
and threatened to put him on fire. The scene did not even extend to the point
of simulating any fire and did not amount, in the view of the Panel, to a
scene containing actual violence, much less gratuitous violence. Moreover,
it was broadcast in the context of a program that only began following the
beginning of the Watershed. The Panel finds no breach of Article 1 of the
Violence Code.
The Use of Viewer Advisories
The broadcaster acknowledges that
there ought to have been advisories as a part of the broadcast. In the TSN
President's words, they will "[s]creen a disclaimer at the beginning
of the episode and out of every commercial break during the program advising
viewer discretion." Although they have done so in this case, each of
the advisories was only presented in video form. It has long been clear in
CBSC decisions that viewer advisories need to be provided in both video and
audio formats whenever they are required. In Showcase
Television re the movie Police 10-07 (CBSC Decision 00/01-0613, January 16,
2002), the National Specialty Services Panel dealt with a broadcast in
which there were insufficient advisories during the course of the program
but, apart from the pre-program advisory, the later advisories were presented
in audio form only. This Panel stated "The provision of oral-only viewer
advisories [
] was clearly inadequate in terms of the Code requirements."
In TQS re the movie Les Girls de Las Vegas (CBSC
Decision 01/02-0478, December 20, 2002), the Quebec Panel was called upon
to deal with the presence of an advisory in video format only, as in the matter
at hand. The Quebec Panel ruled:
It is the view of the
Quebec Panel that an advisory in video format only is equally inadequate.
In other words, whenever viewer advisories are required, they must be presented
in both video and audio formats.
Then, more recently, in TQS re
Film de peur (CBSC Decision 02/03-0940, April 22, 2004), the Quebec Panel
elaborated on this point:
Reiterating its previous
position, the Quebec Panel wishes to leave no doubt on this issue. Oral-only
advisories are inadequate to satisfy the requirements of Article 5 and
Clause 11 and video-only advisories are no better. When viewer advisories
are required, they must be presented in both video and audio formats at
the start of the program and following the commercial breaks (either during
the first hour or for the entire program, depending on factors dealt with
elsewhere in this decision).
In the present decision, the Panel
considers that TSN's commitment to broadcast advisories (called "disclaimers"
by them) must respect the requirements of the Council's rules, namely, that
they must be presented in audio and video formats whenever they are aired.
The failure to employ both formats in the present matter constitutes a breach
of Article 5 of the Violence Code.
The Use of Classification Icons
In general, sports programming
is exempt from the requirement for the display of classification icons on
Canadian television. (Note that this is not the case in the United States,
where the challenged episode bore the distinctly American "TV 14 DLV"
rating.) As noted earlier in this decision, however, the WWE professional
wrestling is a hybrid genre, which includes both sports and dramatic elements.
As the federation's own attorneys noted, the episodes "are carefully
written as soap operas, involving scripted characters performing wrestling."
It follows that, particularly for the out-of-the-ring segments, the broadcaster
must apply classification ratings to the program, in accordance with the
AGVOT rules. In this case, the Panel considers that, not unlike the applicable
American rating, it is the "14+" level that would be applicable
in Canada. The failure to have displayed that icon at the start of the program
and at the top of the hour at 10:00 pm and 11:00 pm constituted a breach
of Article 4 of the CAB Violence Code. Moreover, the broadcaster should
note carefully, for future broadcasts of the program, that the AGVOT system
requires that the icon be displayed for 15-16 seconds on each occasion.
The Panel makes this point since the display of the American ratings icon,
which was not, and would not have been, appropriate as a substitute for
the Canadian icon, was only displayed for 4 seconds at the start of the
program and for 6 seconds at 21:55.
Broadcaster Responsiveness
It is a material component of
the membership responsibility of the broadcaster that every complaint for
which they must issue a reply be dealt with fully and thoughtfully. In the
present instance, the President of TSN sent a reply that could fairly be
considered of appropriate length; however, the Panel has some concern about
the fact that it did not in any way focus on the actual complaint. Not a
single sentence could be said to have been responsive to the issues raised
by the complainant. The Panel readily acknowledges the fairness of providing
a broadcaster's general perspective on a program that has been challenged,
as well as the nature of its programming philosophy; however, the CBSC's
experience with broadcaster responses leads the Panel to observe that, frequently,
complainants are more willing to acknowledge the value of the broadcaster
end of the dialogue when they attempt to explain their position with respect
to the actual content under challenge. This letter is, in that sense, at
the threshold of being unsatisfactory, but not so over the limits of non-responsiveness
as to constitute a breach of membership obligations.
ANNOUNCEMENT OF THE DECISION
TSN is required to: 1) announce
this decision, in the following terms, once during prime time within three
days following the release of this decision and once more within seven days
following the release of this decision in the time period in which this
WWE episode was broadcast; 2) within fourteen days following the broadcast
of the announcements, to provide written confirmation of the airing of the
announcements to the complainant who filed the Ruling Request; and 3) at
that time, to provide the CBSC with that written confirmation and with air
check copies of the broadcasts of the two announcements which must be made
by TSN.
The Canadian Broadcast Standards
Council has found that TSN=s broadcast of the WWE wrestling program on
August 18, 2003 breached the provisions of the CAB Violence Code. By providing
the appropriate number of viewer advisories in the video format but failing
to provide them as well in the audio format, TSN breached the requirements
of Article 5 of the Violence Code, which requires such information to
be presented in both formats so that the audience can make the necessary
viewing choices for themselves and their families. By failing to display
the required 14+ classification icon at the start of and during the program,
in accordance with the Canadian classification system, TSN breached the
article of the Code requiring ratings information, which is also of assistance
to viewers in deciding the suitability of the program for themselves and
their families.
This decision is a public document upon its release by the Canadian Broadcast
Standards Council.